Minimum requirments mixing uad plugins apollo
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This control program really stands out from the pack in terms of both its wonderfully retro feel and practical modern workflow. The included Console program offers additional, redundant control for just about everything in the Apollo from from mic/line selection to artist talkback.
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In contrast, first-time registration can be a little more cumbersome than average, and somewhat sales-oriented too, wowing your brain with all the additional purchases of Fairchild compressors or Neve 88RS console strips you could make to upgrade your package even further.Ī closer view of the front panel of the x8p There are also quality hardware function knobs, big LED meters, and a slick modern look that means business. Even the satisfying “click” of the real on/off rocker switch is most welcome.
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Even the experience of unpacking the Apollo x8p is like entering a finely-curated museum, but then you realize you are allowed to touch the paintings.Ī simple Thunderbolt 3 into a Mac Mini or MacBook Pro and you are rolling with inconsequentially microscopic degrees of latency. There’s a yin and yang to good music production-a constant fusion of classic and modern-and Universal Audio continues to nail it.Įverything about the Apollo seems designed to make a real impression right away. The Apollo x8p (center) offers 8 built in mic pres with UA’s “Unison” modeling technology and some tremendous extra power for mixing and realtime recording effects. Mic pres that come built in to digital interfaces have often gotten a bad rap in the past, but the reality is there is a market for the convenience, compact footprint, and cost-effectiveness of built-in preamps that is just not going to go away. Accordingly, built in mic preamps have been getting a lot better for a while now.
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However, in many cases, smaller versions of the interfaces that did make this list are also available for those with more limited recording needs. The 8-preamp criteria precluded some of the otherwise excellent interfaces from Steinberg, RME, Avid and others that did not offer an 8-pre configuration. We also tested each interface’s console emulation functions, especially in the area of talkback and cues. So, for this comparison and buyer’s guide, we mainly focused on tracking drums for the practical analysis of each of these unique interfaces. While your singer/songwriter and EDM producer friends are living in absolute bliss with just 2 to 4 channels, drummers like me (and the people who love them) are relegated to be on a constant quest for more I/O. One of the most challenging things about being a drummer in the studio-or just working with them-is the perpetual need for 8 or more channels. But for the sake of this roundup, we opted to evaluate interfaces that feature 8 built-in microphone preamps, allowing them to act as an all-in-one solution that will stand up to the needs of a wide variety of users. It’s at once a deeply personal and incredibly practical decision.įortunately, there is no lack of options-or price points-on the market.
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Ultimately, upgrades become necessary with time, and having a studio or a remote recording rig means finding a centerpiece that works well with your professional style. The enthusiasm we have for the recent advances in technology is offset by the anxiety that comes with changing up a rig or learning new software. Finding the right centerpiece for a studio is exciting and overwhelming at once.